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Chairman Mao Would Not Be Amused: Fiction From Today's China

Chairman Mao Would Not Be Amused: Fiction From Today's China

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Chairman Mao Would Not Be Amused is a showcase for 20 writers from the new literary generation in China. Hard-core realism, experimental prose, and black humor; exoticism and eroticism; shocking tales of brutality, tender evocations of love, and engrossing mysteries all coexist in an anthology that spans nearly a decade, ten years that have witnessed a dizzying array of societal and political changes. Almost all of the stories appear in English translation for the first time. Includes Shi Tiesheng, “First Person”; Hong Ying, “The Field”; Su Tong, “The Brothers Shu”; Wang Meng, “A String of Choices”; Li Rui, “Sham Marriage”; Duo Duo, “The Day I Got to Xi’an”; Chen Ran, “Sunshine Between the Lips”; Li Xiao, “Grass on the Rooftop”; Yu Hua, The Past and the Punishments”; Mo Yan, “The Cure”; Ai Bei, “Green Earth Mother”; Cao Naiqian, “When I Think of You Late at Night, There’s Nothing I Can Do”; Can Xue, “The Summons”; Bi Feiyu, “The Ancestor”; Yang Zhengguang, “Moonlight over the Field of Ghosts”; Ge Fei, “Remembering Mr. Wu You”; Chen Cun, “Footsteps on the Roof”; Chi Li, “Willow Waist”; Kong Jiesheng, “The Sleeping Lion”; Wang Xiangfu, “Fritter Hollow Chronicles.”

Details of Book

ISBN13: 9780802134493
ISBN10: 0802134491
Language: English
Publisher: Grove Press
Publication Year: 1996
Format: Paperback

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A note on book covers: while we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.

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  • One Line Summary

    Diverse Chinese stories reflect societal upheavals and creativity.

  • Who is this book for?

    If you're intrigued by contemporary Chinese literature, this anthology offers a riveting glimpse into the country's evolving narrative landscape. From experimental prose to heartfelt stories of love and brutality, it showcases voices pushing boundaries and revealing hidden facets of modern China. It’s a fascinating read for anyone interested in the depths of cultural shifts and literary innovation.

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