A note on book covers: while we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.
The five plays collected here offer a unique insight into the role of theatre in a situation of oppression. They were produced in close collaboration with their original black amateur casts, drawing on their lives and everyday experiences in the townships. They range from the early apprentice work of the brash but vital Sophiatown plays, No-Good Friday and Nongogo, to the freer, more urgent, and profound New Brighton plays, including the most famous Sizwe Bansi Is Dead and I The Island, and the previously unavailable The Coat.
A note on book covers: while we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.
Powerful plays revealing life under oppression through theatre.
Who is this book for?
If you're interested in theatre that offers a raw and authentic look at life under oppressive circumstances, this collection is a must. The plays bring in voices from specific communities, turning personal and communal struggles into compelling stories on stage. It’s a captivating way to understand history, resilience, and the power of performance.
